Drums & Bones
Claude Jansen, Fabrice Mazliah, Tuli Mekondjo, Norbert Pape
Workshop with public presentation
The starting point for this German-Namibian artistic research collaboration is a drum from Namibia, which is now housed in the MARKK Ethnological Museum in Hamburg – a symbolic looted art object with special significance in German-Namibian colonial history.
Since completing her studies in applied theatre studies, Hamburg-based performance artist and curator Claude Jansen has been exploring the media concept of liminal spaces. She is currently focusing her attention on so-called African looted art objects, particularly the “spiritual media”, the mediators who establish the complex connections between human and non-human, visible and invisible actors. She follows the virtual actors in ritual mediality – the “forces beyond human will”.
As part of the fellowship, Claude Jansen plans to continue developing an artistic research project with the Dortmund Theater im Depot in a German-Namibian team with Norbert Pape (augmented reality), Fabrice Mazliah (performance) and Tuli Mekondjo (performance/visual arts), in which analogue, spiritual and digital media are simultaneously interwoven. This joint artistic research project kicked off with a joint research stay in Namibia in 2024.
The process-oriented research project operates at the intersection of Africa and Europe, science and speculation, performance and ritual, analogue practices and digital possibilities.
The idea is to playfully confront the concept of media and bring virtual actors from ritual mediality together with virtual actors from digital mediality to dance.
The aim is to decolonise the colonial attributions and Eurocentric interpretations of looted art objects, i.e. to re-examine the complexity of pre-colonial practices and worldviews from the perspective of diverse media perspectives and to communicate this artistically.